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2017 single by Lana Del Rey featuring the Weeknd

"Animalism for Life"
A single cover showing a man in black with a brunette woman sit under him in a floral field, she wears a red dress while stares at the main vision. They are backed by a place that appears to be a set of a photoshoot.
Single past Lana Del Rey featuring the Weeknd
from the album Animalism for Life
A-side "Love"
Released April 19, 2017 (2017-04-nineteen)
Studio The Dark-green Edifice
(Los Angeles, California)
Genre
  • Dream pop
  • bubblegum pop
Length 4:24
Label
  • Polydor
  • Interscope
Songwriter(s)
  • Lana Del Rey
  • Rick Nowels
  • Abel Tesfaye
  • Max Martin
Producer(southward)
  • Lana Del Rey
  • Rick Nowels
  • Kieron Menzies
  • Dean Reid
Lana Del Rey singles chronology
"Love"
(2017) 		"Lust for Life"
(2017) 		"Summertime Bummer"
(2017)
The Weeknd singles chronology
"Some Way"
(2017) 		"Lust for Life"
(2017) 		"Reminder"
(2017)

"Lust for Life" is a song recorded by American singer-songwriter Lana Del Rey featuring Canadian singer the Weeknd. The song was written past the artists, Rick Nowels, and Max Martin and produced by Del Rey, Nowels, Dean Reid and Kieron Menzies. Martin handled the additional product. Information technology was released on April nineteen, 2017, through Polydor Records and Interscope Records, as the second single from her fifth studio album of the same name (2017). A dream pop and bubblegum pop song, "Lust for Life" is reminiscent of 1960s music, specially from daughter groups like the Shangri-Las and the Angels; the latter's 1963 vocal "My Boyfriend'due south Back" is referenced in the lyrics. Information technology also quotes the poem "Invictus" past the English poet William Ernest Henley (1849–1903).

"Animalism for Life" received mixed reviews from music critics: some acclaimed its sultry production that departs from the melancholic, lamentable themes present in Del Rey'due south previous works, while others criticized its lyrics as banal and the Weeknd'due south vocals equally whiny. "Lust for Life" debuted in the height 100 of several countries, including the United States – where it peaked at 64 beingness the third collaboration between Del Rey and the Weeknd to enter the chart– the United Kingdom, Canada, Scotland, Portugal, Spain, Belgium and Republic of ireland.

Its accompanying music video directed by Clark Jackson features Del Rey and the Weeknd singing on the tiptop of the Hollywood Sign equally referenced in the lyrics. Some critics pointed out a parallel between some of the lyrics and imagery accompanying the song and the 1932 suicide of actress Peg Entwistle who killed herself by jumping off the "H" of the sign. To promote "Lust for Life", the singer performed information technology for the first fourth dimension at the 2017 KROQ Weenie Roast y Fiesta concert and later appeared at the 2017 BBC Radio 1's Big Weekend on May 27, 2017. The song was besides included every bit the 10th track in the setlist of her fourth headlining concert tour called "LA to the Moon Tour" (2018).

Background and release [edit]

"Animalism for Life" was the first song Lana Del Rey wrote for the anthology, during the writing procedure she felt information technology as a expert record, all the same, she wasn't actually satisfied with the initial version of the track, re-editing and rewriting the lyrics several times. Watching Del Rey's indignation, Interscope's record executive John Janick suggested that she should consult producer Max Martin to see what could retrieve of the record. She and so flew to Martin's compound located in Sweden. He thought the beginning verse was the strongest function of what she had done, encouraging her to plough this verse into the song'south chorus. She went back to Rick Nowels' place the following day where she reworked on the track addressing what Martin had suggested, she turned the verse into the chorus and for her, information technology sounded "perfect". That's when she felt she "actually wanted" to hear Canadian vocalizer the Weeknd sing the chorus, then he came downward and "rewrote a little fleck of it," only then she stated she felt like it was missing the "Shangri-Las element" that she wanted, and then she went back for a fourth time and layered it up with harmonies.[1] [2] [3]

"Lust for Life" was first registered at ASCAP under Del Rey's name during March 2017, with the Weeknd credited as a co-writer under his real proper name Abel Tesfaye.[4] Later, Del Rey teased the collaboration on March 26, 2017, via Twitter, with Tesfaye'due south signature logo.[5] The logo, which is also the logo of his record label XO, was also included in the Lust for Life album trailer.[6] "Lust for Life" was released on April 19, 2017, following the preview on MistaJam'southward BBC Radio i show.[7] [eight] The official audio was released to iTunes and other streaming services a few hours later.[9] Information technology is the 4th collaboration between Del Rey and The Weeknd, subsequently she featured on "Prisoner" from his second studio album, Beauty Behind the Madness (2015), so two collaborations on his follow-upwards record Starboy (2016): a characteristic on "Stargirl Interlude" and a co-writing credit and background vocals on "Party Monster".[1] [3] This is her kickoff song to feature another artist on whatsoever of her studio albums.[x] On August 25, 2017, an official remix past BloodPop was released, alongside a remix for Del Rey'south other single "Summer Bummer".[11] [12]

Composition and lyrics [edit]

"Animalism for Life" is reminiscent of 1960s music, with backing harmonies vocalizing around Del Rey'due south vocals with sung loops as "doowop-doowop" and "shooup-shooup".[i] It has doo-wop and Motown-inspired production that recalls the music of by girl groups, with Del Rey paying homage to the Angels' 1963 single "My Boyfriend's Back."[10] [13] [14] Idolator characterized "Lust for Life" as a "witchy dream pop" while Billboard noted information technology as bubblegum pop like "Love",[fifteen] [16] too as describing it equally a "throwback to the wall of audio production."[17] The vocal is about "climb[ing] up the H" of the Hollywood Sign to trip the light fantastic and have sex activity. The get-go poesy quotes the poem "Invictus" past the English poet William Ernest Henley (1849–1903) using the lines "We're the masters of our own fate / Nosotros're the captains of our own souls."[18] [nineteen] The Weeknd appears subsequently in the song; complementing to Del Rey'southward breathy vocals during the chorus as they sing together over distorted synths, "Take off all your apparel".[1] For Chris White of MusicOMH, they audio simultaneously "alluring and drastic."[twenty] He is and so heard singing his lines using his characteristic falsetto tone.[21]

Roisin O'Connor of The Independent applauded the chemistry between the duo commenting that their mutual power is in their "ability to keep things hidden, whilst seeming utterly explicit."[22] Neil McCormick from the British broadsheet paper The Daily Telegraph observed that their voices "entwine with an erotic simpatico".[23] Sheldon Pearce of Pitchfork website added that in "Lust for Life", they play "tangled apparitions reliving a Hollywood daydream."[24] Analyzing the lyrics, Chris Mench of Genius commented that Lana seems to reference the infamous suicide of Peg Entwistle, who killed herself by jumping off the "H" of the Hollywood sign in September 1932, at the age of 24.[25] The A.V. Club 's writer Annie Zaleski noted that the song captures the sensation of having "dizzying sexual chemical science" with someone,[26] while The Line of Best Fit 'southward Erik Thompson perceived "Lust for Life" fluidly blends "the sensual with the inspirational", going from the liberating assertion of existence "masters of our own fate" and "captains of our ain souls" to taking off all dress in a "hot, breathless 2nd."[27]

Critical reception [edit]

"Animalism for Life" was met with a mixed reception from music critics. Libby Cudmore of Paste called "Lust for life" one of the album's "low points," emphasizing that the "vintage vibe" which the vocalizer projected for this song "did not work so well." The editor was not enthusiastic over The Weekend's presence, saying that his "whiny-toy drone" drags the "whole Hollywood shenanigan into the tar pits."[28] Mike Was from Idolator criticized the lyrical content by deeming it a typical and "quintessentially Lana Del Rey."[17] Leonie Cooper of NME said that Del Rey'south vocals in "Animalism for Life" nearly made her a "parody of herself" and chosen the chorus "a chip lightheaded, just too utterly fabulous."[21]

Similar to Del Rey'south previously released single "Love", "Lust for Life" called attention from critics who considered information technology as a departure from the melancholic, dark production present in her previous works. Prefix magazine'due south Jon O' Brian noted "Lust for Life" as one of the moments that in which Del Rey indeed a much more "optimistic and accessible" sound than her previous album Honeymoon (2015).[29] Echoing the same sentiments as O'Brian, Andrew Dorsett from PopMatters named "Lust for Life" and "Love" every bit the "poppiest" moments of the album, adding that these tracks shimmer with Del Rey'south "newfound optimism", but fifty-fifty these tin can ring somewhat "hollow" compared with the "smoky menace" of her past piece of work, or the "incisive pathos of the album'south deep cuts."[thirty]

The Contained 's Roisin O'Connor wrote that "Lust for Life" proves a "masterful pairing," and expressed a positive thought well-nigh Del Rey'southward collaboration with the Weeknd, stating they stand out amongst their peers equally ii artists who "have succeeded at crafting their own myth."[22] Rolling Stone listed "Animalism for Life" as the 9th-best song of 2017 in their almanac ranking.[31]

Commercial operation [edit]

In the United states, "Lust for Life" debuted at spot of number 36 on Digital Songs chart based on 1 day of tracking.[32] It entered the Billboard Hot 100 the following calendar week at number 64, thus made Del Rey's eleventh chart entry, being her 3rd collaboration with The Weekend to achieve the Hot 100 along with "Prisoner" from Weeknd'southward debut anthology, The Dazzler Behind the Madness (2015) and "Stargirl Interlude" from his sophomore tape Starboy (2017).[33] "Lust for Life" additionally debuted within pinnacle 10 on Hot Rock Songs chart issued for May thirteen, 2017. Becoming Del Rey'due south second highest debut on the charts, following "Love" released 2 months prior which debuted at number two.[34] Outside the United States, "Lust for Life" peaked in the top 40 in various countries including the Great britain—where information technology debuted at 38 on Great britain Singles Charts—Canada, Sweden, Scotland, Poland and Spain.[35] [36] [37] [38] [39]

Accolades [edit]

Music video [edit]

Evolution and release [edit]

An official sound video was released on Del Rey'due south Vevo channel on the aforementioned day the song was released. It features Tesfaye and Del Rey sitting on the edge of the Hollywood Sign while holding hands.[41] The official music video was released on May 22, 2017. It was directed by Clark Jackson, who also directed the Lust for Life album trailer and produced the "Honey" music video. He used similar visuals and interpolates shots from the trailer. To brings to life the same vintage aesthetic present in the song, the video bursts of a VHS-quality visual distortion.[42] The manager wanted to the video contain the aforementioned imagery of the 50s and 60s Hollywood. For the sign creation, Jackson wanted a night shot of it exactly as it looked in the 1950s. Equally the sign is not lit upward anymore, he and some friends had to construct an illustration of the sign and the mountain out of papier-mâché, foam, craven wire, and one-time school Hollywood-mode model-making in his garage. In interview with Pitchfork he revealed that during the procedure, "the neighbors idea I had lost my mind when they saw me knee deep in papier-mâché. Blink and you will miss it, merely all of that from the belfry to the sign to the bushes and trees were all made by paw." He used the analogy which he developed as a support to recreate the sign through 3D furnishings for the original music video.[43]

Synopsis and reception [edit]

The video's storyline was compared to the suicide of Peg Entwistle (pictured).

The video starts off with a galaxy which turns into Del Rey's green eyes. Chelsea Stone of W Magazine noted information technology every bit reminiscent of her previous released video for "Love" in which Del Rey is seen floating through different galaxies.[44] The singer then appears in a TV prepare wearing a crimson wearing apparel and a headband while performing a elementary dance routine and sings amidst her two dancers Alexandra Kaye and Ashley Rodriguez in the background.[45] [46] As the song runs, Del Rey leaves the set and goes through a brighten, illuminated city and up a set of stairs that pb to the acme of the "H" on the Hollywood sign referenced in the lyrics.[47] In the elevation, she meets the Weeknd who helps her to consummate her scale to the top of the letter. During the second poetry, they appear sitting at the letter of the alphabet while appreciating the bright city in front end of them underneath the stars. The Weeknd removes the headband from Del Rey'southward head and throws it away, transforming it in a caravel in the air. At the stop of the video, she slides off the "D" of the Hollywood sign and lands in a field of orange flowers with the Weeknd lying by her side, the camera zooms out, showing the World, with lights forming a peace sign, in space.[48]

Upon the release of the video, some critics pointed out once again a parallel between some of the lyrics and imagery accompanying the song and the album Animalism for Life and the 1932 suicide of actress Peg Entwistle. Alan Hanson of Uproxx described the video as a "overnice cinematic yarn" and a more "eerily enjoyable tale than that of Peg'due south terminate."[49] Crack magazine'south editor also perceived the same parallel, even so, he recognized that death and drama, is a common theme explored both in Del Rey'southward songs and videos, as he wrote, the vocalist is no stranger to "Hollywood lore, with her songs frequently cartoon upon the storied glamour and tragedy of cinema's golden age."[50] Christina Lee of Idolator said that the red slippers in the clip and the field of flowers in the video'southward last moments retrieve The Wizard of Oz.[51]

Live performances [edit]

Del Rey performed the song for the first time at the 2017 KROQ Weenie Roast y Fiesta concert on May twenty, 2017. During the show, she also debuted the rails "Cherry" from her album Lust for Life.[52] She later appeared at the 2017 BBC Radio 1's Large Weekend on May 27, 2017, where she performed "Lust for Life" along with other songs including "Dearest".[53] "Lust for Life" was likewise included as the tenth track of the set up list for her fourth headlining concert bout called LA to the Moon Tour which began in Jan 2018.[54]

Track list [edit]

Digital download[55]
No. Title Length
1. "Lust for Life" (featuring the Weeknd) 4:24
Digital download – BloodPop® Remix[56]
No. Championship Length
one. "Lust for Life" (featuring the Weeknd) (BloodPop® Remix) 3:22
Digital download – The Avener Rework[57]
No. Title Length
1. "Lust for Life" (featuring the Weeknd) (The Avener Rework) 4:12
x" vinyl – "Beloved" / "Lust for Life" LP[58]
No. Title Length
1. "Dear" 4:32
ii. "Lust for Life" (featuring the Weeknd) 4:24

Credits and personnel [edit]

Credits adapted from the liner notes of Lust for Life.[59]

Recording and management

  • Recorded at The Green Building Studios (Los Angeles, California)
  • Mastered at Bernie Grundman Mastering (Los Angeles, California)
  • Published by MXM (administered by Kobalt) (ASCAP) / R-Rated Music administered by EMI April Music Publishing Inc (Global Music Rights) / Songs Music Publishing LLC, o/b/o Songs Of SMP (ASCAP) / Sony/ATV Music Publishing (ASCAP)
  • The Weeknd appears courtesy of The Weeknd XO, Inc.

Personnel

  • Lana Del Rey – vocals, songwriting, production
  • The Weeknd – vocals, songwriting
  • Rick Nowels – product, songwriting, pianoforte, keyboard, mellotron
  • Max Martin – songwriting, additional production, bass programming
  • Dean Reid – production, engineering, mixing, drums, bass guitar, percussion, synthesizer developer, vocoder, audio furnishings
  • Kieron Menzies – product, engineering science, mixing, drums
  • David Levita – electric guitar
  • Zac Rae – synthesizer
  • Ali Payami – drums
  • Mighty Mike – bongo
  • Hashemite kingdom of jordan Stilwell – engineering science
  • Trevor Yasuda – engineering science
  • Adam Ayan – mastering engineer

Charts and certifications [edit]

Certifications [edit]

Release history [edit]

References [edit]

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External links [edit]

  • Lana Del Rey - Lust For Life (Official Video) ft. The Weeknd

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Source: https://en.wikipedia.org/wiki/Lust_for_Life_%28Lana_Del_Rey_song%29

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